A thing that helped me a great deal over this period was the decision to start working in a series of private sketchbooks. I needed somewhere to experiment that I knew only I had access to. Somewhere to make images that didn't always have the unconscious intention of being a step on the way to somewhere, or a breakthrough, or the thing I was waiting for. Somewhere to just play with the things that interested me.
And then one morning, very quietly, while I was looking the other way, the dancers came through.
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